LOS ANGELES -- The documentary genre's power of immediacy is evident in 鈥淣ot Done: Women Remaking America,鈥� which includes the still-unfolding possibility of the first Black female vice-president and the loss of Breonna Taylor.
The film depicts a powerful female-driven advocacy, one represented by Black Lives Matter, #MeToo and other 21st-century movements that have built on and transcended past efforts.
鈥淭here is a newfound language around who gets to claim feminism,鈥� Black Lives Matter co-founder Patrisse Cullors says in the film debuting Tuesday on PBS (check local stations for time).
Or as Gloria Steinem puts it: 鈥淣ow it's a majority and it's unapologetic. Now we know it's a revolution.鈥�
While the enduring feminist leader provides context, this era's activists are centre stage. Among the voices: a Native American who's in her teens but already a veteran activist with a global perspective -and gender confidence.
鈥淚f I'm not fighting against the climate crisis, I'm fighting for Indigenous rights,鈥� Tokata Iron Eyes says in the film. 鈥淚f I'm not fighting for Indigenous rights, I'm still a brown person. And then I'm still a woman, which is also like a superpower at the same time.鈥�
鈥淣ot Done鈥� is an extension of 2013's 鈥淢akers: Women Who Make America,鈥� about the late 20th-century quest for female equality, and a 2014 follow-up series. There's also an ongoing Makers initiative to advance the cause.
鈥淧art of what was becoming obvious about the period we were living through was that women were back in the streets鈥� after settling into complacency, said Sara Wolitzky, the film's director. There's an 鈥渁wakening that sexism, racism and transphobia are entrenched鈥� and collective action is required.
Women leading the charge is nothing new, although their work often has gone uncredited, Cullors said in an interview.
In America's civil rights movement, 鈥渢he most visible have always been men.... I think there was an unfortunate perspective that women were to contribute, but not receive any accolades for the contribution that we've given,鈥� she said.
There's a who's who of activists in 鈥淣ot Done,鈥� which moves briskly from historical prologue through the roller coaster ride the country has been on since Democratic presidential contender Hillary Clinton failed to shatter what she called the highest, hardest glass ceiling.
Her 2016 loss to Donald Trump fueled the nationwide women's march, which quickly revealed the fractures that haunted the 鈥渟econd wave鈥� feminism of the 1960s and '70s: what critics saw as a blinkered focus on white women's issues.
Before thousands of pink hats bobbed down America's streets, the initially white-organized event was called out by women of colour who were giving it 鈥渒ind of side-eye,鈥� Linda Sarsour recounts in the film.
鈥淚'm supposed to go follow, like, a bunch of white ladies who never marched with us before?鈥� was the reaction, she said. When Sarsour pointed out the need for others to be included, including Muslims, she was among those invited to join as leaders.
When 鈥淣ot Done鈥� pivots to the issue of sexual abuse, it calls on Jodi Kantor and Megan Twohey of The New York Times to detail their reporting that toppled Hollywood powerbroker Harvey Weinstein and propelled the #MeToo crusade originated years before by Tarana Burke.
America Ferrera, Natalie Portman and other celebrities got involved (leading to creation of the Time's Up initiative) and found an unlikely ally: the National Women's Farm Workers Association, which offered its support over a shared problem.
鈥淚t was such a revolutionary act of love,鈥� Ferrera says in the film. 鈥淭hey saw past vast things that divide our experiences in this world, and chose to stand in solidarity.鈥�
There's a retelling of how Black Lives Matter was launched by Cullors, Opal Tometi and Alicia Garza after Florida jurors acquitted the man who killed teenager Trayvon Martin. The three founders insisted on melding feminism and racial justice.
鈥淧atrisse and I and Opal have been very clear from the beginning that it's all of us or none of us. Black women, black queer and trans folks are disproportionately impacted by the criminal justice system, by policing, by issues of safety, violence, and harm,鈥� Garza says in the film.
鈥淣ot Done鈥� also recounts the rancorous confirmation hearing for Supreme Court nominee Brett Kavanaugh and the rise of female lawmakers. It concludes with footage of Democratic vice-presidential contender Kamala Harris expressing her gratitude to 鈥渢he heroic and ambitious women before me,鈥� and a portrait of Kentucky police shooting victim Taylor gracing the expanse of an outdoor sports court.
While equality and justice are very much works in progress there is reason for optimism, Wolitzky said.
鈥淭he one thing you know for sure is that all of the women that we see in the film are incredibly brilliant, courageous and determined. Women are are not going to be giving up,鈥� she said.
